The (other) Body
自身作為他者，怎樣言說作為酷兒／另類的親密經驗？
遊走歐洲頂尖劇院的中生代編舞
Jefta van Dinther
一場有關「血液」的親密對話
兩個赤裸的舞者，是人或是機器？是戀人或是陌生人？兩個身體在對話之間蠕動和燥動，互相纏繞。「暗場分析」源於替代醫學，利用暗場顯微鏡觀察血液，並診斷身體狀況。荷蘭——瑞典編舞Jefta van Dinther 親身經歷接受治療的過程，「血液」成為病人與醫者最親密的連結，不知不覺，二人陷入愛河。Jefta以「暗場分析」的概念，類比從微觀、內觀、到超越自身的自我診斷，借喻並透視於日常中不可見的細節。身體感受振動、感官受到衝撞，經驗被剖開的生命重量，宛如新生物的誕生。
節目詳情
17/9 (Sun) 3pm
$280
演出長約1小時，不設中場休息。
*本節目含有裸露場面。
*為尊重表演者及場內觀眾，節目開始後，遲到的觀眾將不會獲安排進場，且不獲退票。主辦單位將保留最終決定權。
*不設劃位
*6歲以下恕不招待
概念、文本及編舞：Jefta van Dinther
文本、創作表演者：Juan Pablo Cámara, Roger Sala Reyne
燈光設計：Minna Tiikkainen
佈景設計：Cristina Nyffeler
執行燈光及佈景設計（香港）：陳鈞至
聲音設計：David Kiers
歌曲：根據PJ Harvey的歌曲《The Slow Drug》和《Horses in my Dreams》製作
助理編舞：Thiago Granato
藝術顧問：Gabriel Smeets, Felix Bethge
技術統籌：Bennert Vancottem
舞台監督：LokC Chan
Juan Pablo Cámara
Juan Pablo Cámara is a choreographer and performer living in Berlin. He began his training in dance and theater in Buenos Aires, where he also worked as an actor and performer. In 2013 he moved to Amsterdam to study at the School for New Dance Development (SNDO), from which he graduated in 2017. His artistic practice fluctuates between creating his own works, creating in collaboration with other artists* and working as a performer in various projects. His choreographic research deals with issues such as artificiality, identity construction and disembodiment. His work has been presented in Buenos Aires, Amsterdam, Berlin, Vienna, Madrid, Lisbon and Poland. He has worked as a performer for choreographers Mi- chele Rizzo, Adam Linder and Kat Valastur, among others. He collaborated with Jefta van Dinther in the performance "Dark Field Analysis” (2017) and “Unearth” (2022).
Roger Sala Reyner
Roger Sala Reyner is a performer living and working in Berlin. He completed a four-year BA degree in physical theater at the Institut del Teatro in Barcelona and a BA degree in choreography at the School for New Dance Development (SNDO) in Amsterdam. Over the past decade he has collaborated regularly with a number of choreographers, including Meg Stuart, Thiago Granato and Jefta van Dinther. He considers his own artistic practice collaborative and is currently developing a joint working platform with choreographer Guillaume Marie and dramaturg Igor Dobricic. Roger is also a longtime member of John the Houseband, a nomadic amateur performative music band. He collaborated with Jefta van Dinther in the performances "As It Empties Out” (2014), "Dark Field Analysis” (2017) and “Unearth” (2022).
經理：Sven Naumann
製作經理：Romy Hansford-Gerber, Uta Engle
巡演經理：Romy Hansford-Gerber
發行：Key Performance
行政：Interim kultur AB (svb)
聯合製作
Tanz im August / HAU Hebbel am Ufer Berlin; Tanzquartier Vienna;
Sadler’s Wells London; PACT Zollverein Essen; Centro Cultural Vila Flor
Guimaraes and Dansens Hus Oslo
資助
Swedish Arts Council; City of Stockholm and the NATIONALES PERFORMANCE
NETZ (NPN) Co-production Fund for Dance , which is funded by the Federal
Government Commissioner for Culture and the Media on the basis of a decision by
the German Bundestag
支持
O Espaço do Tempo Montemor-o-Novo, BUDA Kortrijk and The Swedish
National Touring Theatre
導賞信件 Unfold the Thinking
今年《Unfold the Thinking》表演書寫計劃，旨在回應本年度主題「Think with the ( ) Body」，視書寫作為思考的載體，亦嘗試把閱讀轉換成一種身體行動。本年度邀請當代舞蹈藝術家黃大徽作為協作者，聯同六位背景各異的寫作者，以回應「#非關舞蹈祭2023」的創作人／作品作為起點，實驗評論以外書寫表演的可能性。
今次的書寫方向將圍繞「導讀作品」的概念出發，把他們提倡面對作品的導讀方法，收藏於獨立的信封內。內容雖然以文字為基礎，但同時可以運用圖像、符號及排版等手段，創作他們各自的「導讀信件」，於各自的節目場次開始之前，置於前台供觀眾取閱。信封上附有最佳閱讀時間的指引（例如演出前／演出後／其他……），由揭開信封，到打開及閱覽信件，一層層地揭開文字中交織着的各種觀看經驗。一場又一場外（或內）的閱讀，將為觀眾帶來另一個思考角度去揭示作品。