Norhaizad Adam X Sarah Aiken
Double Bill

13.06.2026 8pm
14.06.2026 3pm

The Turns, East Kowloon Cultural Centre

Berahi: Holy Unions

Norhaizad Adam

Berahi: Holy Unions explores the delicate interplay between attraction and decorum, from the flicker of subtle charm to the bold expression of “berahi” — meaning sexual arousal in Malay.

Partners in life and art, Norhaizad Adam and Hasyimah Harith explore how cultural codes and traditions shape the ways we perform intimacy, desire and social grace through bodily rituals and poetic charms.

Grounded in movement research and framed through a historical-sociological lens, this work draws inspiration from Perhimpunan Gunawan bagi Laki-Laki dan Perempuan (A Compendium of Charms for Men and Women), a 1911 Malay manuscript on sexuality by Khadijah Terung.

Performed in English without surtitles
節目有觀眾互動環節
This programme contains smoke effect
Part of this programme contains strong odours

Plot Hole

Sarah Aiken

Plot Hole navigates the reality and unreality of the world made and unmade by truths and untruths.

Reaching across distance between what is said and what is meant, between what is true and what is enacted, the work creates illusions and emulates the digital — gesturing toward the possibilities of technology. Threads of narrative, fractured logic and refracted light slip through the material of the body — leaving holes and gaps, (metaphorical) smoke and (literal) mirrors.

Nothing is as complex, or as simple as it seems.

Performed in English without surtitles

Programme Details

13.06.2026 8pm

14.06.2026 3pm

The Turns, East Kowloon Cultural Centre

$250

Norhaizad Adam is a dance artist from Singapore. He performs and choreographs for unconventional community spaces, galleries and theatres. Central to his Malay dance practice is considering the performativity of the everyday gestures and accessing tradition as a form of toolkit for living in contemporary times and the imagined future. His works talk about labour, morality and behaviourism in Malay culture. Currently, he is the Artistic Director of P7:1SMA(Prisma), a dance performance company that hopes to radically shift the perspective of Malay identity and dance through innovative performance experiences. He is an associate artist of Dance Nucleus. In 2021, he received the National Art Council’s Young Artist Award.

Sarah Aiken is an artist, performer and choreographer based in Naarm (Melbourne). Her work investigates assemblage, authorship, scale and self, looking at the roles of audience, performer, subject and object and connecting tangibly with audiences, to consider performance as a site for empathy & exchange.

Make Your Life Count premiered at Arts House, Melbourne in 2022 (Platform Arts 23, PICA Perth 25 and Sydney Dance Company 24, with video presentations at Federation Square, Gertrude Street Projection Festival, MCA, and Frame Biennial of Dance). The work won an Australian Greenroom Award for Best Visual Design.

Other works include Spanning (Soft Centre X Chunky Move 2024), Body Corp (CONTACT HIGH Gertrude Contemporary 2024), Demake/Demaster (STRUT 2022), Piece for pieces (PIECES LGI/The Substation 2019), What Am I Supposed To Do? (Arts Centre Melbourne 2019) and SARAHAIKEN (Keir Choreographic Award 2016).

Sarah is co-director of Deep Soulful Sweats, working with Rebecca Jensen for 10 years across the world, inviting audiences into cathartic and thoughtful performative experiences.

Sarah was artist in residence at Helsinki International Artists Program, Dancenorth, and Centre for Projection Art. She is a grateful recipient of the Creators Fund, and the Chloe Munro Fellowship.

Berahi: Holy Unions

Choreography and Performance: Norhaizad Adam, Hasyimah Harith

Dramaturg: Lim How Ngean

Sound Design: Bani Haykal

Lighting Design: Wong Ka Ki

Set Design: Yanki Lau

Costume Design: Khairullah Rahim

Visual Design (Exhibition): Zarina Muhammad

Plot Hole

Concept, Choreography and Video Creation: Sarah Aiken

Sound Design: Lawrence Lau

Lighting Design: Wong Ka Ki

Performance: Gemma Sattler
Producer: Josh Wright

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.

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