
Chan Wai Lok X Albert Garcia
Double Bill
12, 15 – 16.06.2026 8pm
1a space, Cattle Depot Artist Village
The Golden and the Fortunate
Chan Wai Lok
The Golden and the Fortunate is an exploration of wealth and luck — a reimagining of traditional symbols of prosperity and fate that presents “belief” as a state charged with uncertainty. The body becomes a conduit for magnetic energy, merging folk aesthetics with an installation that deconstructs the mechanism of make-believe. Through a series of deliberate and tension-filled physical movements, the performers mirror humanity’s desire to control the future. Immersed in the scent of incense and low-frequency vibrations, a sacred yet ironic atmosphere unfolds. Within this space, audience and performers enter a reciprocal exchange of blessings, reinforcing a shared “map of faith” in the ritual. Layers of sound, heat and movement transform the performance from a pursuit of auspicious power into a contemplation on the logic of “as-if”, unveiling the curious codes behind our faith in good fortune.
Performed in Cantonese with English surtitles
This programme contains loud sound, strobe lighting and haze and smoke effects
The Bug Is on Fire: First Ignitions
Albert Garcia
Fireflies flicker in the dark — fragile lights persisting in landscapes that have forgotten them. The Bug Is on Fire: First Ignitions unfolds a choreography of presence and disappearance, where human and non-human bodies resist erasure at the margins.
Tracing the fading glow of fireflies across Macao, Hong Kong, the Philippines and Taiwan, this piece traces the unseen lives of migrants and undocumented communities whose labor shapes the city even as their stories fade through its transformation.
Developed through long-term field research and collective inquiry, it interweaves movement, sound, image, document and light to form a fragile ecosystem of survival. Shaped during a residency at PACT Zollverein Essen, this work invites audience to witness endurance not as spectacle, but as a quietact of coexistence that flickers against disappearance.
Performed in English without surtitles
This programme contains smoke effect
This programme contains half nudity
Programme Details
12, 15 – 16.06.2026 8pm
1a space, Cattle Depot Artist Village
$250

Chan Wai Lok, a Hong Kong choreographer and performer completed his studies in P.A.R.T.S. (Belgium) upon receiving scholarships from the [DNA] network supported by Creative Europe under the European Commission and the Hong Kong Jockey Club Music and Dance Fund.
He previously studied in SEAD (Austria) after graduating from the Architecture Studies in the Chinese University of Hong Kong. His recent works include Reverie (2022), Click (2021) and An Auction without Bass (2021) unfolding perspectives in performativity and choreography. Other works include In the Cloud (2022), provoking the audience’s imagination into body movement and performance; and {POV [TWINK / COUPLE (ASIAN) / EXPERIMENTAL]} (2021) and its video version POV, demonstrating the texture and connection between live and video performance.
Democratic interpretation and emancipation in audience has been one of the major genres he has been exploring in his previous solo Everyone knows what it means to think (2019) and his collaboration with Mariana Miranda, /bI'twi:n/ (2019).
He collaborated with various artists including Cristian Duarte, Anne Teresa De Keersmaeker, Meytal Blanaru, KT Yau Cherry Leung and Joseph Lee. In 2020, he, together with his fellows, established an independent art space, ngau4 gat1 dei6, which is an art project exploring how to operate and sustain such art space in local art scene, and sharing spatial resources with fellow artists.
Personal Website:
wailokcwl.com

Albert Garcia (b. 1994) is a multi-disciplinary artist and was born and raised in Macao with Filipino descent and currently based in Taipei, Taiwan. A performance artist that employs the body and multimedia as a medium to explore and express their identity.He uses mobility as both a personal narrative and a critical tool, transforming it into capital that shapes his exploration of displacement, hybridity, labor, and citizenship. His layered, multimedia performances, incorporating video and documents, provoke deep reflection on how the body is being pushed and pulled by the environment. He majored in Media studies (BA, 2012) in Macao and based in Taiwan, studying dance performance (MFA, 2017) in Taipei.
His representative work Joy, Untitled 2.0 and The Survival Guide: between a dog, wolf and tardigrade thematically focuses on how the inescapable past tragically affects our lives today. These pieces are stories about labor migration and performing citizenship. Garcia’s long- term focus on survival strategies and related issues in contemporary society. Garcia will explore the complexity of identity construction and its performativity in contemporary society under the theme of "Survival Guide," sharing his experiences of the difficulties, expectations, and coping strategies faced by various identities in different contexts.
The Golden and the Fortunate
Choreography, Set Design, Costume Design and Performance : Chan Wai Lok
Sound Design: Larry Shuen
Lighting Design: Le Dinh Dat
Multi-media Design: Cheng Nga Yan
Producer: Hon Wing Hin
The Bug Is on Fire: First Ignitions
Concept, Choreography and Performance: Albert Garcia
Composition: Toben Piel
Lighting Design: Le Dinh Dat
Dramaturge and Production Management: Michael Li
Concept and Editing (Video): Lao Keng U
Research and Curation (Exhibition) : Emilie Choi
Supported by the residency programme at PACT Zollverein (Essen); funded by the Ministry for Culture and Science of the State of North Rhine-Westphalia
