The inability to stop moving is a sign.
The refusal to stop dancing implies hope.
Without you, I am only half alive.
The inability to forget the past is due to the entanglements.
History should not be forgotten at the same time tomorrow.
Public Participation - Body on Stage
This series suits a wide range of people and aims to inspire participants with different
backgrounds. Combining teaching processes and creative workshops, the interaction
between dance artists and participants can be explored. Daily materials, such as plastic bags, tennis balls, A4 paper and other different materials, are used to probe into the movement and perception of the body in the creation and performance of this series. Not only served as props, but these daily objects can also be endowed with vividness and artistic values through the association with certain retrospective and introspective qualities. With the interaction with these objects, participants create dance works in a semi-open structure. The company will also arrange opportunities for public performances so that the pieces will be presented to the public. As a result, the participants can get bodily satisfaction from dancing in performance.
Choreographer & Performer | Ong Yong-Lock |
Creative Performers | James Yau, Andy Lee, Kerry Cheung, Workshop Participants |
Programme Length | 18 minutes, can be combined with other pieces into a 50 mins programme |
Scale of Venue | Flexible |
Touring Company | 5 pax (1 Choreographer, 3 Performers & Workshop assistants, 1 Touring Manager) |
Touring Availability | On appointment |
Public Participation | 2 sessions of 2-hour workshops, workshop participants will perform on stage together with our artists |