{"id":351,"date":"2026-03-31T21:46:34","date_gmt":"2026-03-31T13:46:34","guid":{"rendered":"http:\/\/dc26.local\/?p=351"},"modified":"2026-04-29T17:51:50","modified_gmt":"2026-04-29T09:51:50","slug":"danceless-choreographic-platform","status":"publish","type":"post","link":"https:\/\/unlock.com.hk\/dc26\/en\/danceless-choreographic-platform\/","title":{"rendered":"#Danceless Choreographic Platform \uff0d Pulse, Spin, Breath"},"content":{"rendered":"
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

#Danceless Choreographic Platform \uff0d Pulse, Spin, Breath<\/h4>\n\n\n\n

Cheung Wai Yin, Sica Ho Tsz Kwan, Ching Chu<\/p>\n\n\n\n

20.06.2026 3pm & 8pm
21.06.2026 3pm<\/p>\n\n\n\n

The Turns, East Kowloon Cultural Centre<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
<\/div>\n\n\n\n
Chair spin<\/em><\/h6>\n\n\n\n

Cheung Wai Yin<\/p>\n\n\n\n

This programme contains half nudity
Performed in Cantonese and English<\/p>\n\n\n\n

Chair Spin<\/em> draws inspiration from the artist\u2019s personal experiences in pole dance practice. Set against the stigmatised and sexualised histories that shaped its contemporary forms, this work confronts the institutionalisation and desexualisation of pole dance \u2014 from strip club innovations to athletic reinvention \u2014 as it evolves into an Olympic sport and a global fitness trend. Through examining its layered legacies, The Artist reveals the politics embedded in the dance form via embodied aesthetics and personal practice, reconnecting with its early pioneers through every encounter with the pole.<\/a><\/p>\n\n\n\n

Momentary Echo<\/em><\/h6>\n\n\n\n

Sica Ho Tsz Kwan<\/p>\n\n\n\n

Breath wanders consciously beneath layers of skin. <\/p>\n\n\n\n

The body carries the weight and memory of all that I have lived. <\/p>\n\n\n\n

When I observe this body, what do I see? <\/p>\n\n\n\n

When you witness my dance, what do you perceive? <\/p>\n\n\n\n

Shifting Still<\/em><\/h6>\n\n\n\n

Ching Chu<\/p>\n\n\n\n

Shifting Still<\/em> takes the established image of the sensual female body as its starting point. Through repetition and subtle shifts in movement, the work gradually destabilizes the prescribed notion of the female as object. By reclaiming repetition as an act of the subject, the choreography opens up possibilities for redefining and rewriting this image, revealing the fluidity of the female body between gazing and interpretation.<\/p>\n\n\n\n

Programme Details<\/h5>\n\n\n\n

20.06.2026 3pm & 8pm<\/p>\n\n\n\n

21.06.2026 3pm<\/p>\n\n\n\n

The Turns, East Kowloon Cultural Centre<\/p>\n\n\n\n

$250<\/p>\n\n\n\n

\n
Book Now<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n